Nekromantik 2 (1991)
Nekromantik 2: The return of the loving dead is a German horror film directed by Jörg Buttgereit from 1991. It is a sequel to the 1988 film Nekromantik. The film is about necrophilia, and was quite controversial and was seized by authorities in Munich 12 days after its release,.
Plot
A young woman from Berlin, Monika, has a double life. By day, she is a hospital nurse, at night she looks at graveyards to look for corpses to dig up.
When she reads about a recent suicide of a man, she tries to find him at night in the graveyard. She brings the corpse home where she lives with her new boyfriend, without him knowing.
She tries to hide her necrophilic obsession as long as possible for him.
Notable scenes
The scenes where Monika is loving the Corpse.
The ending climax.
Making of Nekromantik 2
During a sex scene, in the background there’s a drawing by Karen Greenlee, an actual necrophile. She worked as an embalmer and was arrested for stealing a hearse and interfering with a funeral. She also confessed to having sex with 20-40 corpses. She described herself as a morgue rat and considered necrophilia an addiction.
During the movie store scene, you can see Buttgereits other film Nekromantik.
The Sputnik Kino seen in the film first opened its doors in 1954, set in the Wedding district of Berlin.
Our view on Nekromantik 2
Jörg Buttgereit’s takes a slow buildupup in this extreme horror movie. The buildup where Monika and her new boyfriend Mark go dating and visit a fairground and a zoo are a big contrast to the scenes where Monika is loving the corpse she bas in her house. 
There is some animal cruelty (the killing of a real seal that was not neccesary and pure for shock) The climax at the ending of the movie is making up for the flaws in this film. Certainly not for everyone. Exploitflix warning.
Trailer
Where to buy
DVD/VHS/Betamax/VCC
Watch on Dailymotion
Details
Genre: extreme horror
Released in: 1991
Era: nineties
Actors: Monika M
Director: Jörg Buttgereit
Poster artist: unknown-artist
Country: Germany
